REVIEW: Taut Angles at Sidney&Matilda
Taut Angles played Sidney&Matilda recently. Here’s what we thought.
REVIEW: Blackwater Lightship’s latest EP, ‘Last Night I Saw The Leaves Fall’
Sam Wilkinson reviews Blackwater Lightship’s new EP, ‘Last Night I Saw The Leaves Fall’.
REVIEW: YARD at Sidney&Matilda
The incredible Irish electro-punks YARD graced the basement stage at Sidney&Matilda recently. Here is what we thought.
REVIEW: Manchester-based popular provocateurs PSYCHOSCALLY release new track ‘Cottonopolis’
Charlie Sweeney reviews Manchester-based PSYCHOSCALLY’s new single ‘Cottonopolis’.
REVIEW: ‘Previous Business’, the latest track from DIY indie four-piece tellyeaters
Sam Wilkinson reviews tellyeater’s recent single ‘Previous Business’.
REVIEW: Wolf Alice return with their incredible fourth album ‘The Clearing’
Callum Martin reviews Wolf Alice’s latest album, ‘The Clearing’.
REVIEW: Maximilian Tanner’s latest track, ‘Requiem’
David Cuthbertson reviews Maximilian Tanner’s latest single, ‘Requiem’.
REVIEW: Studio Electrophonique’s latest track ‘How Can I Love Anyone Else?’
David Cuthbertson reviews Studio Electrophonique’s latest single, ‘How Can I Love Anyone Else?”.
REVIEW: The Slow Country at Sidney&Matilda
Charlie Sweeney reviews The Slow Country’s recent gig at Sidney&Matilda in Sheffield.
REVIEW: Femur return with new single ‘P.O.P’
Charlie Sweeney reviews Femur’s latest single, ‘P.O.P’.