REVIEW: ‘One Way’ by Maisie Jean
Maisie Jean is quickly establishing herself as one of the most promising young singer-songwriters on the Sheffield music scene. Amidst a busy gig schedule, she released her debut album ‘Fluorescent Girl’ in June. Her precocious gift for observation, tempered with the psychological turmoil of youth, is in full evidence on the biting 'One Way'.
The song begins with malign intent, synths rising and falling in an ominous cadence. The scene is set for the acerbic opening couplet, "the body in his jacket pocket/saw some use last night". It's a powerful introduction to this confession of a torrid 'one way' affair. Jean's gift for imagery is in full flow throughout - showing, not telling - via vignettes of smeared lipstick, flies to rotting flesh and boys who "like you small". Her distinct and impressive vocal snarl conveys both anger and a deeply felt longing and vulnerability.
Jean’s Sheffield roots are also evident in both delivery and wit. "Every time he wants me/is a time I have it all” could grace one of Alex Turner or Jarvis Cocker’s kitchen-sink dramas. A “fuck” interjects with the short ‘oo’ bite only a South Yorkshire accent provides. Musically, however, ‘One Way’ stands apart from the stereotypical Sheff guitar/indie scene. Its propulsive dancefloor beats and heavy bass evoke Charli XCX’s hyperpop, while eerie layered vocals recall Grimes. There are even shades of the oft-overlooked Neon Neon's sordid synth-heavy sound. It's a potent blend, held together by Jean's self-production.
The song finishes with cries of “one way” and “want me” blurring into each other over a controlled chaos of arpeggiated synth. The confusion of unrequited longing - recognising the harm someone causes you, but being unable to tear yourself away from wanting their approval - summed up. It's a fitting end to a raw, emotional tale that heralds an exciting new voice in Sheffield's music scene.
You can listen to ‘One Way’ on Maisie’s Spotify here.
Words: David Cuthbertson
